/ic/ - Artwork/Critique » Thread #2258792

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Animation General

Anonymous Thu 22 Oct 2015 19:39:36 No.2258792 View Reply Report Delete

Last thread: >>2236037

>Stuff you may find useful, books basic program tutorials etc
https://mega.co.nz/#F!3p8CwQZD!DR2mC-kw0TyQQ8Uw3T6JYg
https://mega.co.nz/#!TdclgBqS!QWLS9f3ogerhJDfxCYPv_yFKRR11tP_IC0eaA4sEwug

>Reference stuff you can find with a simple google search
http://www.referencereference.com/
https://vimeo.com/groups/aniref
https://www.youtube.com/channel/UCRvspTjApofA2Yg3i10gTdQ

Japanese style animation tutorial: http://listeningside.net/a_side00.html
Stoyboard & composition: http://www.floobynooby.com/comp1.html

>chrome plug in that lets you playback youtube animations frame by frame
https://chrome.google.com/webstore/detail/frame-by-frame-for-youtub/elkadbdicdciddfkdpmaolomehalghio?hl=en-GB
http://rowvid.com/

Anonymous

Anonymous Sun 25 Oct 2015 15:36:56 No.2261427 Report Delete

Quoted By: >>2261664

>>2261423
Also...
Fuck any nigga, don't like Oney.

Even If you think he can't draw, he's likable.

Anonymous

Anonymous Sun 25 Oct 2015 19:10:23 No.2261664 Report Delete

Quoted By: >>2261672

>>2261423
Watching it now, thanks.
>>2261427
He's pretty much the only likable animator around any more... well, him a and his close friends.

Anonymous

Anonymous Sun 25 Oct 2015 19:16:25 No.2261672 Report Delete

Quoted By:

>>2261664
The sleepycast is fucking great.

Psychic pebbles is my husbando

Anonymous

Anonymous Mon 26 Oct 2015 01:17:13 No.2261950 Report Delete

Quoted By:

>>2259311
I really like this. The dialog is awesome, it has nice gear change and buildup of tension. I like that shes getting up towards the end where the tension is the biggest. I would make it a more gradual transition though. Instead of having her get right up and stand there gesturing, I put in a few poses in between. Also messed around with the starting poses just for fun. Hope it makes sense.
https://www.dropbox.com/s/5o4wdqchawe3zkv/ludicrous_edit2.mov?dl=0

Anonymous

View Same Google ImgOps iqdb SauceNAO 12036744_906481452768546_5228885 (...).jpg, 98KiB, 400x337

Anonymous Mon 26 Oct 2015 10:30:59 No.2262157 Report Delete

Quoted By: >>2262159

I got bored so I made this
>https://www.youtube.com/watch?v=PoHymu1Tg1c

pic is my next animation

Anonymous

Anonymous Mon 26 Oct 2015 10:32:48 No.2262159 Report Delete

Quoted By:

>>2262157
thats fucking surreal bro

Anonymous

Anonymous Mon 26 Oct 2015 10:53:13 No.2262168 Report Delete

Quoted By: >>2262171

>>2259267
To be fair the anime he has so far worked for have for the most part been the kind of productions where a lot of the animators are fairly young. Bones uses a lot of youngsters.

Anonymous

Anonymous Mon 26 Oct 2015 10:56:23 No.2262171 Report Delete

Quoted By:

>>2262168
Forgot to mention that webgen animators are a big deal right now because they have the innocent passion of working really hard and fast. So if you're a young animator working digitally in the industry and have some kind of talent then getting hired shouldn't be too hard. The industry is right now filled with animators just like Bahi. OPM being the best example I've in recent times.

Anonymous

Anonymous Tue 27 Oct 2015 00:42:34 No.2262933 Report Delete

Quoted By: >>2262940 >>2262967 >>2263005

So, I'm getting into traditional animation but I can't find animation cells or paper.
Does it works the same if I use copy paper, acetate sheets and a wooden Popsicle stick as a peg bar?

Anonymous

Anonymous Tue 27 Oct 2015 00:46:42 No.2262935 Report Delete

Quoted By: >>2262937

>>2259221
is bahi losing his mind or is this one of his old sketches?

Anonymous

Anonymous Tue 27 Oct 2015 00:48:23 No.2262937 Report Delete

Quoted By: >>2262942

>>2262935
What's wrong with it?

Anonymous

Anonymous Tue 27 Oct 2015 00:51:05 No.2262940 Report Delete

Quoted By: >>2262947 >>2262949

>>2262933
disney never worked with copy paper and turds, you faggot
get real animation supplies or else

Anonymous

Anonymous Tue 27 Oct 2015 00:52:15 No.2262942 Report Delete

Quoted By: >>2262946

>>2262937
no it's not bad, but i remember him being a lot more solid than that.
that page kinda looks chaotic and aimless. just look at that pikachu lel.

Anonymous

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Anonymous Tue 27 Oct 2015 00:59:20 No.2262946 Report Delete

Quoted By: >>2263086

>>2262942
Never seen a sketchbook?

Anonymous

Anonymous Tue 27 Oct 2015 01:03:07 No.2262947 Report Delete

Quoted By:

>>2262940
kek

Anonymous

Anonymous Tue 27 Oct 2015 01:05:36 No.2262949 Report Delete

Quoted By:

>>2262940
>disney never worked with copy paper
Yes he did. Specialized animation equipment didn't existed back then.

Anonymous

View Same Google ImgOps iqdb SauceNAO acmepunch-W-HOLES.jpg, 35KiB, 300x245

Anonymous Tue 27 Oct 2015 01:57:51 No.2262967 Report Delete

Quoted By: >>2263108

>>2262933
get a scanner and this

draw everything then scan it to computer

Anonymous

Anonymous Tue 27 Oct 2015 03:46:38 No.2263005 Report Delete

Quoted By: >>2263006

>>2262933
>>2262933
Please don't buy a hole puncher if you're not planning to start a studio.
If that money you can buy enough animation paper to draw until you give up animation.
Not to mention that it's a lot harder to find than just buy the fucking animation paper.

Anonymous

Anonymous Tue 27 Oct 2015 03:49:00 No.2263006 Report Delete

Quoted By:

>>2263005
>If that money
With that money.

Anonymous

Anonymous Tue 27 Oct 2015 07:36:47 No.2263086 Report Delete

Quoted By:

>>2262946
anon, just shut up when the adults are talking

Anonymous

Anonymous Tue 27 Oct 2015 08:19:57 No.2263108 Report Delete

Quoted By:

>>2262967
are you crazy? these cost like 700 bucks. why not get a 2 pin pegbar and a normal puncher?

Anonymous

View Same Google ImgOps iqdb SauceNAO 1383535957426.gif, 3MiB, 320x180

Anonymous Tue 27 Oct 2015 08:29:21 No.2263113 Report Delete

Quoted By: >>2263152

>>2260937
>>2260966

alright, I guess I'll work with keyframes then. I am only having trouble to imagine where to put prominent, distinctive keyframes, when the animation sequence is so smooth with it's transitions.
oh and thanks anon for the tip with the 3D models. I'll work with that.

Anonymous

Anonymous Tue 27 Oct 2015 10:06:06 No.2263152 Report Delete

Quoted By: >>2263157 >>2264632

>>2263113

What anime?

I think I've watched it before, the one where the guy can use his blood to fight things...

Wait..no that's another one about a prison.

Tell me

Anonymous

Anonymous Tue 27 Oct 2015 10:10:33 No.2263157 Report Delete

Quoted By: >>2263160 >>2264632

>>2263152
Kyoukai No Kanata

Not him, but Im telling you because its a great series. The movie will make you cry.

Anonymous

Anonymous Tue 27 Oct 2015 10:11:40 No.2263160 Report Delete

Quoted By: >>2264632

>>2263157

Noice, ty

Anonymous

Anonymous Tue 27 Oct 2015 10:12:46 No.2263163 Report Delete

Quoted By:

>>2259718
I love the oldschool anime style of animation. It's just so damn crisp.
Modern anime has way too much bloom and effect layers.

Anonymous

Anonymous Tue 27 Oct 2015 11:26:00 No.2263214 Report Delete

Quoted By: >>2264109

>>2260902
this is really cool. do you have a blog? would you mind uploading a page full of stills from this? maybe around the beginning with the extreme perspective going along the hand/arm

Anonymous

Anonymous Wed 28 Oct 2015 01:41:51 No.2264109 Report Delete

Quoted By: >>2265396

>>2263214
Thanks.

here's an album of those stills:
http://imgur.com/a/ESHP2

And blog:
http://ulala-chan.tumblr.com/

Anonymous

Anonymous Wed 28 Oct 2015 07:17:27 No.2264272 Report Delete

Quoted By:

>>2258792
Should I use a proxy for mega? Never used it before.

Anonymous

View Same Google ImgOps iqdb SauceNAO anim.jpg, 192KiB, 594x737

Anonymous Wed 28 Oct 2015 11:26:03 No.2264424 Report Delete

Quoted By: >>2264436 >>2264974 >>2265374 >>2265605

is there a good tutorial out there that shows how to work with traditional 2D animation on paper? I just ordered a light box. I am talking about the back and forth flipping and so on. I am mean it looks obvious from observation, but still I'd like to have some explanation.

Anonymous

View Same Google ImgOps iqdb SauceNAO patapata01.gif, 869KiB, 400x300

Anonymous Wed 28 Oct 2015 11:36:11 No.2264436 Report Delete

Quoted By: >>2264442 >>2265374 >>2266242

>>2264424
http://listeningside.net/a_side05.html

Anonymous

Anonymous Wed 28 Oct 2015 11:42:39 No.2264442 Report Delete

Quoted By: >>2264514

>>2264436
well thanks I am looking at the pictures and the video, but I don't speak japanese.

Anonymous

Anonymous Wed 28 Oct 2015 13:24:24 No.2264514 Report Delete

Quoted By:

>>2264442
How to set up a digital sketchbook

Anonymous

Anonymous Wed 28 Oct 2015 15:46:32 No.2264632 Report Delete

Quoted By:

>>2263157
>>2263152
>>2263160

Literally Kyoani's worst written work ever. Pretty though.

Anonymous

Anonymous Wed 28 Oct 2015 20:01:37 No.2264974 Report Delete

Quoted By: >>2266242

>>2264424
https://www.youtube.com/watch?v=haa7n3UGyDc
This playlist could be of your interest

Anonymous

View Same Google ImgOps iqdb SauceNAO 5 frame flip2.webm, 1MiB, 1920x1080

Anonymous Thu 29 Oct 2015 02:59:57 No.2265374 Report Delete

Quoted By: >>2266242

>>2264424
Here's how I do it for multiple frames with pegs on the top. 1 frame between each finger with the thumb on the bottom. The hardest part about it is moving each finger down towards the table independently, but you get used to it with practice.
>>2264436
this is the exact technique I use for in betweening/in between checking. The in between frame goes on the top with the previous and next frame underneath.

Anonymous

Anonymous Thu 29 Oct 2015 03:24:43 No.2265396 Report Delete

Quoted By:

>>2264109
domo domo

Anonymous

Anonymous Thu 29 Oct 2015 08:33:55 No.2265605 Report Delete

Quoted By:

>>2264424
why would people pin paper at bottom?
it's really hard to flip it to check animation

Anonymous

Anonymous Thu 29 Oct 2015 10:52:09 No.2265708 Report Delete

Quoted By:

>>2259193
its shit. it lacks consitency and weight.

Anonymous

View Same Google ImgOps iqdb SauceNAO tumblr_nlj3gaQEeT1rc3pqko1_400.gif, 2MiB, 400x300

Anonymous Thu 29 Oct 2015 18:19:05 No.2266242 Report Delete

Quoted By:

>>2264436
>>2264974
>>2265374

alright, thank you all for the advice and clip

Anonymous

View Same Google ImgOps iqdb SauceNAO 1438874277922.jpg, 28KiB, 600x442

Anonymous Thu 29 Oct 2015 22:22:22 No.2266726 Report Delete

Quoted By: >>2266745

>tfw there's always one guy in the course who's fucking obsessed with disney shit
>covers their drafting table with the more famous disney model packs
>they're shit at drawing and try to copy the disney style with no actual practice, literally just tracing
why are there people like this, you can't talk to this person without them sucking disney's dick.

Anonymous

Anonymous Thu 29 Oct 2015 22:29:31 No.2266745 Report Delete

Quoted By:

>>2266726
well you'll always need your inbetweeners

Anonymous

Anonymous Fri 30 Oct 2015 03:24:43 No.2267244 Report Delete

Quoted By: >>2267245 >>2267247

>>2258792
so I put my roughs/storyboards on 8's and 12's, am I doing it wrong?

Anonymous

Anonymous Fri 30 Oct 2015 03:33:41 No.2267245 Report Delete

Quoted By: >>2267247

>>2267244
Storyboards don't have a framerate fam

Anonymous

Anonymous Fri 30 Oct 2015 03:37:26 No.2267247 Report Delete

Quoted By: >>2267263

>>2267245
This. What the fuck are you talking about >>2267244 ? Are you saying you're using the storyboards as keyframes? Since you're not supposed to do that. That's what layouts are for. You can use the storyboards for animatics (If they are detailed enough, camera movement, character movement), but generally you redraw the entire storyboards to fit in an animatic, and then time everything in the animatic. So yes, you are doing it very wrong, whatever you're trying to do.

Anonymous

Anonymous Fri 30 Oct 2015 03:59:28 No.2267263 Report Delete

Quoted By: >>2267382 >>2267385

>>2267247
Then I must be on the animatic stage. Im just trying to setup my timing, most of it is on 8's and 12's, is that normal? How do I know if the timing is good?

Anonymous

Anonymous Fri 30 Oct 2015 07:29:45 No.2267382 Report Delete

Quoted By: >>2267395

>>2267263
lol you are not listening. even if you do animatics, why are you concerned with framerate? use your keframes and time the poses in seconds.

Anonymous

Anonymous Fri 30 Oct 2015 07:33:55 No.2267385 Report Delete

Quoted By: >>2267395

>>2267263
In the animatic, it doesn't matter if a drawing is held for 8 frames or 12 frames or 812 frames (ok not that much). Just time it out to what feels right. Once you have the rough timing, you back and tighten it down to the frames.

Anonymous

Anonymous Fri 30 Oct 2015 07:57:17 No.2267395 Report Delete

Quoted By:

>>2267382
>>2267385
i'll try your suggestions

Anonymous

Anonymous Fri 30 Oct 2015 14:08:19 No.2267761 Report Delete

Quoted By:

nice horse reference
https://www.youtube.com/watch?v=_ePvH5f2OdI
lets do a study of it or something

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