/ic/ - Artwork/Critique » Thread #2258792

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Animation General

Anonymous Thu 22 Oct 2015 19:39:36 No.2258792 View Reply Report Delete

Quoted By: >>2258863 >>2264272 >>2267244

Last thread: >>2236037

>Stuff you may find useful, books basic program tutorials etc
https://mega.co.nz/#F!3p8CwQZD!DR2mC-kw0TyQQ8Uw3T6JYg
https://mega.co.nz/#!TdclgBqS!QWLS9f3ogerhJDfxCYPv_yFKRR11tP_IC0eaA4sEwug

>Reference stuff you can find with a simple google search
http://www.referencereference.com/
https://vimeo.com/groups/aniref
https://www.youtube.com/channel/UCRvspTjApofA2Yg3i10gTdQ

Japanese style animation tutorial: http://listeningside.net/a_side00.html
Stoyboard & composition: http://www.floobynooby.com/comp1.html

>chrome plug in that lets you playback youtube animations frame by frame
https://chrome.google.com/webstore/detail/frame-by-frame-for-youtub/elkadbdicdciddfkdpmaolomehalghio?hl=en-GB
http://rowvid.com/

Anonymous

Anonymous Thu 22 Oct 2015 21:09:29 No.2258863 Report Delete

Quoted By:

>>2258792
Why'd you leave this out?

http://www.rhinohouse.com/

And why'd you leave the plug-in in?

Anonymous

Anonymous Thu 22 Oct 2015 21:10:19 No.2258864 Report Delete

Quoted By: >>2259057

FIRST.

I've got a few questions. Where should I start, with preston blairs book and maybe fun with a pencil? Then what?

Also, what's a lightbox used for exactly? Just tracing?

Anonymous

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Anonymous Thu 22 Oct 2015 22:24:21 No.2258914 Report Delete

Quoted By: >>2259256

taking up animation again, did a walk.

Anonymous

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Anonymous Fri 23 Oct 2015 01:03:51 No.2259013 Report Delete

Quoted By: >>2259014

First time messing around with Photoshop animation.

Anonymous

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Anonymous Fri 23 Oct 2015 01:05:32 No.2259014 Report Delete

Quoted By:

>>2259013
looping

Anonymous

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Anonymous Fri 23 Oct 2015 02:42:27 No.2259057 Report Delete

Quoted By:

>>2258864

Anonymous

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Anonymous Fri 23 Oct 2015 07:48:05 No.2259193 Report Delete

Quoted By: >>2259198 >>2259208 >>2260898 >>2265708

>all those people hating on the pain fight scene last thread and calling the distortions "smears"
maybe /ic/ shouldn't have an animation general

Anonymous

Anonymous Fri 23 Oct 2015 08:02:39 No.2259198 Report Delete

Quoted By:

>>2259193
Good job bringing it up again.

Anonymous

Anonymous Fri 23 Oct 2015 08:19:38 No.2259208 Report Delete

Quoted By:

>>2259193
the pain fight is probably the most fun fight in naruto when it comes to animation style, don't let other people hating on it get you down, you do you and they do whatever it is they do.

Anonymous

Anonymous Fri 23 Oct 2015 08:49:32 No.2259217 Report Delete

Quoted By:

https://cartoonrevue.wordpress.com/2015/10/22/character-animation-east-vs-west/

Anonymous

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Anonymous Fri 23 Oct 2015 08:58:00 No.2259221 Report Delete

Quoted By: >>2259224 >>2259267 >>2262935

Why is Bahi so good?

Anonymous

Anonymous Fri 23 Oct 2015 09:03:03 No.2259224 Report Delete

Quoted By:

>>2259221
Why you shitpost?

Anonymous

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Anonymous Fri 23 Oct 2015 10:09:04 No.2259253 Report Delete

Quoted By: >>2259524 >>2259647

Here's some practice thing done in photoshop awhile ago.

Anonymous

Anonymous Fri 23 Oct 2015 10:20:12 No.2259256 Report Delete

Quoted By: >>2259853

>>2258914
If you're going for an upbeat stroll (which the legs suggest you are, forgive me if I'm wrong) then I think a squish and stretch to the torso would be good to get that spring in their step

Anonymous

Anonymous Fri 23 Oct 2015 10:40:56 No.2259267 Report Delete

Quoted By: >>2259387 >>2262168

>>2259221
this guy is in so many top tier anime at such a young age it's incredible

I hope he makes his own studio or something in the future

Anonymous

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Anonymous Fri 23 Oct 2015 11:24:41 No.2259311 Report Delete

Quoted By: >>2259337 >>2261950

I haven't worked on this for a few weeks because real life but anything could help
https://www.dropbox.com/s/ra9d40iu3j2x8ye/ludicrous%20wiplong2.mov?dl=0
I feel like I'm over animating a tad and I know I'll need to switch it from a booth-type table to a regular chair to make the standing up make sense visually

Anonymous

Anonymous Fri 23 Oct 2015 11:46:54 No.2259337 Report Delete

Quoted By: >>2259591

>>2259311
Very promising so far! I like the timing of the first bit, even though it wobbles a bit too much to read clearly. If you could draw the keyframes/extremes a bit more like the pic you posted, or like the thicker blues lines later on, those frames will feel more solid. Then the breakdowns could be as cheap as you want, to just suggest the motion. Anyway, loads of personality in it, and not particularly over-animated as far as I'm concerned: it's a style and feels great! The only thing that feels out of place is the pose at 0:06, maybe hold off on that for a few frames to make it more natural. Give that motion a little more time, as well as not be in sync too much with her words.

And perhaps add a second character for her to play off of, because right now I'm not sure where she's directing her emotions.

Nile

Nile Fri 23 Oct 2015 12:55:14 No.2259387 Report Delete

Quoted By:

>>2259267
He mentioned in an interview that he would love to direct some stuff himself, so we might see him become some kind of a director. idk about a studio though

Anonymous

Anonymous Fri 23 Oct 2015 15:04:36 No.2259524 Report Delete

Quoted By: >>2260901 >>2260902

>>2259253
Fucking amazing.

Anonymous

Anonymous Fri 23 Oct 2015 15:15:06 No.2259533 Report Delete

Quoted By: >>2259545

somebody posted a webm of princess mononoke a couple of animation threads ago. it's a scene with Okkoto-nushi, the white boar. there's grass in foreground and you're looking up at the boar. I could use it for ref, can anyone post it again please?

Anonymous

Anonymous Fri 23 Oct 2015 15:22:08 No.2259545 Report Delete

Quoted By:

>>2259533
sorry I mean the first boar demon.

Anonymous

Anonymous Fri 23 Oct 2015 16:18:45 No.2259591 Report Delete

Quoted By: >>2259855

>>2259337
Hey thanks!
I'm still getting used to working at 24fps because all my previous animations have been at 12fps before someone was like "what the fuck are you doing, don't do that while you're still learning"
I guess that's why I feel like some stuff is moving too much.

Anonymous

Anonymous Fri 23 Oct 2015 17:23:01 No.2259647 Report Delete

Quoted By: >>2260901 >>2260902

>>2259253
aww fuck.
do you hate us now, u lala?

Anonymous

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Anonymous Fri 23 Oct 2015 17:47:03 No.2259663 Report Delete

Quoted By: >>2260815

>all these animations on kickstarter being funded past their goals.

Is this the animation Renaissance we've been waiting for bois?

Anonymous

Anonymous Fri 23 Oct 2015 18:05:15 No.2259676 Report Delete

Quoted By: >>2259683 >>2259685 >>2259694

How do I be like OneyNG?

Anonymous

Anonymous Fri 23 Oct 2015 18:13:29 No.2259683 Report Delete

Quoted By:

>>2259676
You go back 16 years when Newgrounds was a thing and never learn how to draw.

Anonymous

Anonymous Fri 23 Oct 2015 18:25:49 No.2259685 Report Delete

Quoted By: >>2259734

>>2259676
Draw retarded faces, then add the silly voice, then the edgy humor, then the tweening.

There you go. Now you're Oney

Anonymous

Anonymous Fri 23 Oct 2015 18:36:05 No.2259694 Report Delete

Quoted By: >>2259734

>>2259676
only focus on lip sync
just tween all your other movements
just do it

Anonymous

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Anonymous Fri 23 Oct 2015 18:54:39 No.2259718 Report Delete

Quoted By: >>2259721 >>2263163

I don't really know where to start guys, is it wise to just start out with a rotoscope-like animation, tracing every keyframe or do you "freestyle" every frame?
when it comes to traditional art,I know I have to grind proportions in order to get anatomy right, but I have no clue where to start with animating..

Anonymous

Anonymous Fri 23 Oct 2015 18:57:34 No.2259721 Report Delete

Quoted By:

>>2259718
http://www.animatorisland.com/51-great-animation-exercises-to-master/

Start with the 12 Principles

Anonymous

Anonymous Fri 23 Oct 2015 19:06:38 No.2259734 Report Delete

Quoted By: >>2259788

>>2259685
>>2259694

Kek I'm closer than I thought then

Anonymous

Anonymous Fri 23 Oct 2015 19:56:11 No.2259788 Report Delete

Quoted By: >>2260459

>>2259734
Post your work.

Anonymous

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Anonymous Fri 23 Oct 2015 21:27:28 No.2259853 Report Delete

Quoted By: >>2259855 >>2260103

>>2259256
Thanks for that, took the crit and applied it to a new walk.

Anonymous

Anonymous Fri 23 Oct 2015 21:30:47 No.2259855 Report Delete

Quoted By: >>2259859

>>2259591
Also, still >>2259853, I had no idea working at 12fps was bad. What was their reasoning?

Anonymous

Anonymous Fri 23 Oct 2015 21:35:06 No.2259859 Report Delete

Quoted By: >>2259872

>>2259855
The way it was explained to me that working on 2s at 24 fps is way better than working on 1s at 12 fps when you're first putting down your settings for the project in your program of choice.

In terms of 24 fps there's nothing wrong with working on 2s, it's just that if you want to get faster action, you'll have room to incorporate it then whereas if you set your project to 12fps, you're pretty much fucked if you need to change it up later.

Anonymous

Anonymous Fri 23 Oct 2015 22:00:15 No.2259872 Report Delete

Quoted By: >>2259875

>>2259859

TVPaint lets you change framerate on the fly which is pretty sweet. I guess it's only a problem if you're using software that doesn't let you do that.

Anonymous

Anonymous Fri 23 Oct 2015 22:03:54 No.2259875 Report Delete

Quoted By: >>2259897 >>2260106

>>2259872
I use Toon Boom Studio (haven't yet done the 99 buck upgrade to the basic Harmony) and when I do change it, you gotta manually change all your exposures, which can be a hassle
It's easier to just avoid that hassle in the first place

Anonymous

Anonymous Fri 23 Oct 2015 22:32:43 No.2259897 Report Delete

Quoted By:

>>2259875

Yeah that's true I have to do the same thing in TVP as well, when you're right you're right.

Anonymous

Anonymous Fri 23 Oct 2015 23:21:08 No.2259920 Report Delete

Quoted By:

Anyone have any guides or tutorials for animating clothing? I've been rotoscoping some stuff for study but there are still things I can't wrap my head around.

Anonymous

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Anonymous Sat 24 Oct 2015 02:05:19 No.2260042 Report Delete

Quoted By: >>2260083 >>2260093

Somthing I'm currently working on. I apologize for my use of tweens, I'm on a time limit, and I barely know the software.

I'm working on my first "serious" animation. Last few frames are unfinished keyframes.

Anonymous

View Same Google ImgOps iqdb SauceNAO Youtube_animation_progress (2).webm, 1MiB, 1920x1080

Anonymous Sat 24 Oct 2015 03:40:14 No.2260083 Report Delete

Quoted By: >>2260095 >>2260281 >>2260402 >>2260947

>>2260042
Made a couple tweaks.
Also bumping thread.

Anonymous

Anonymous Sat 24 Oct 2015 04:08:23 No.2260093 Report Delete

Quoted By: >>2260095 >>2260099 >>2260269

>>2260042
>le funny flash parodies
Let me guess, you hold people like egoraptor and spazkid as your "inspiration"?

Anonymous

Anonymous Sat 24 Oct 2015 04:13:07 No.2260095 Report Delete

Quoted By:

>>2260083
Hate the tweens, I can tell you're new to that part, but your fbf parts are actually breddy gud.

Nice to see some colored work that looks like it'll actually be finished one day in these threads for once

>>2260093
Contribute, or get out.

Anonymous

Anonymous Sat 24 Oct 2015 04:14:41 No.2260099 Report Delete

Quoted By:

>>2260093
Egoraptor actually got gud in some of his later stuff. Too bad he became a lazy prick...

Anonymous

Anonymous Sat 24 Oct 2015 04:19:33 No.2260103 Report Delete

Quoted By: >>2260458

>>2259853
There's a weird frame on his right arm. The left one transitions really well, but the right one jumps too far, by comparison, I believe at the end of the cycle.

Then again, if it's a faster swing, that may actually work out after inbetweening

Anonymous

Anonymous Sat 24 Oct 2015 04:21:41 No.2260106 Report Delete

Quoted By: >>2260969

>>2259875
Harmony 12 essentials (tbs' replacement) allows changes on the fly, now. Fucks up audio, i think, though.

Anonymous

Anonymous Sat 24 Oct 2015 11:53:27 No.2260269 Report Delete

Quoted By: >>2260408

>>2260093
yeah what. Have you seen a single one of their recent videos? They can beat the shit out of you when it comes to animation I fucking guarantee it.

Anonymous

Anonymous Sat 24 Oct 2015 12:07:20 No.2260281 Report Delete

Quoted By: >>2260298

>>2260083
https://www.youtube.com/watch?v=55WxOjgNAS4
flash is the worst thing to ever happen to animation

Anonymous

Anonymous Sat 24 Oct 2015 12:23:50 No.2260298 Report Delete

Quoted By:

>>2260281
That's actually not flash. That's Harmony 12.

Anonymous

Anonymous Sat 24 Oct 2015 14:27:53 No.2260402 Report Delete

Quoted By: >>2260408

>>2260083
The debris paralax is a nice touch. Samus' tweens look bad though.

Anonymous

Anonymous Sat 24 Oct 2015 14:33:27 No.2260408 Report Delete

Quoted By:

>>2260269
(Not me)
Chill out, dude. If he doesn't like it, it's whatever. Ego has millions, so he's doing something right.

I figure I'm doing pretty good, for just barely starting out, I could use more constructive criticism, though.

>>2260402
Thanks, man. I haven't figured out easing in harmony, yet, so samus has that awful stiffness Flash is infamous for. I might arrange my character rig by hand, and just do it frame by frame.

Anonymous

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Anonymous Sat 24 Oct 2015 15:56:40 No.2260458 Report Delete

Quoted By: >>2260604

>>2260103
I feel like I fucked up the tweening, feels slower.

Anonymous

Anonymous Sat 24 Oct 2015 15:57:12 No.2260459 Report Delete

Quoted By:

>>2259788
https://www.youtube.com/watch?v=ABnBuud0NbI

Pls no bully

Anonymous

Anonymous Sat 24 Oct 2015 17:56:43 No.2260554 Report Delete

Quoted By:

Who /kanadastyle/ here?

Anonymous

Anonymous Sat 24 Oct 2015 18:49:54 No.2260604 Report Delete

Quoted By:

>>2260458
is it intentional, that his walk is uneven? his right leg is takes longer and the stride is wider than the other leg

Anonymous

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Anonymous Sat 24 Oct 2015 18:54:09 No.2260605 Report Delete

Quoted By: >>2260632

small thing i animated.

Anonymous

Anonymous Sat 24 Oct 2015 19:21:32 No.2260632 Report Delete

Quoted By: >>2261028

>>2260605
Heyyy, I see you took my advice about the tongue. Looks better, m8

Anonymous

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Anonymous Sat 24 Oct 2015 21:35:11 No.2260743 Report Delete

Quoted By: >>2260937 >>2260966

I am planning on animating a jumping creature in slow motion. the camera will spin around the character similar to pic related (but much slower and detailed). I went straight ahead with the sloth, but I didn't plan anything and that's why it's such a mess.
this time I want to plan ahead and do it properly. should I animate straight ahead or do some key frames and then inbetween? because it's slow motion I don't think it'll work with keyframes. I should note, that the character will already be in mid air, so there's no anticipation or ground scene.
any advice would be most welcome.

Anonymous

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Anonymous Sat 24 Oct 2015 22:25:07 No.2260772 Report Delete

Quoted By: >>2260822 >>2261028

first time animating in? roughly two years? maybe three? looks like shit but im p ok with it.

Anonymous

Anonymous Sat 24 Oct 2015 23:20:24 No.2260815 Report Delete

Quoted By:

>>2259663
no cause they never deliver

Anonymous

Anonymous Sat 24 Oct 2015 23:27:27 No.2260822 Report Delete

Quoted By:

>>2260772
looks great, but the wind-up and throw parts are a little too smooth and lifeless. try getting his shoulders almost completely parallel to the direction he is throwing (just like one frame farther than he turns now), and point with his left arm instead of having it flop around at his side.

Anonymous

Anonymous Sun 25 Oct 2015 01:57:04 No.2260898 Report Delete

Quoted By:

>>2259193
>dude smears lmao
I thought the pain fight was fun

Anonymous

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Anonymous Sun 25 Oct 2015 02:03:40 No.2260901 Report Delete

Quoted By:

Added a few things and extended the idea.

>>2259524
Much appreciated.

>>2259647
No, I just draw a lot less.

Anonymous

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Anonymous Sun 25 Oct 2015 02:07:14 No.2260902 Report Delete

Quoted By: >>2261030 >>2263214

Added a few things, and extended the idea.

>>2259524
Much appreciated.

>>2259647
No, I just draw a lot less.

Anonymous

Anonymous Sun 25 Oct 2015 03:56:58 No.2260937 Report Delete

Quoted By: >>2263113

>>2260743
Always do keys for something so technical. Slow-motion doesn't make a difference.

Anonymous

Anonymous Sun 25 Oct 2015 04:29:15 No.2260947 Report Delete

Quoted By:

>>2260083
Fix that weird blowback at the end of the beam shot, do some adjustments with samus' tweens to make the recoil make more sense, one more layer of debris in parralax would look nice, finish the coloring of the chewing frames on Kirby, and it looks like a fist is going to be coming up through him on the last few frames, so I assume it's unfinished.

All in all, it's still much better than 90% of the scrubs normally in these threads. Keep it up you've got potential.

Anonymous

Anonymous Sun 25 Oct 2015 05:45:42 No.2260966 Report Delete

Quoted By: >>2263113

>>2260743
To help with the proportions/perspective maybe make a quick 3D model, so for each frame you have some starting size and angle to work off of. Seemed to work pretty well for these guys: https://youtu.be/jMCDRjReuck?t=1m42s

Anonymous

Anonymous Sun 25 Oct 2015 05:48:11 No.2260969 Report Delete

Quoted By: >>2260972

>>2260106
That's good to hear
How is it? Would you say it's worth the upgrade? I do know I'll have to finish up whatever I have in progress before info because I don't think I can import from TBS to Harmony

Anonymous

Anonymous Sun 25 Oct 2015 05:55:39 No.2260972 Report Delete

Quoted By: >>2260973

>>2260969
You can't import, no.

It's... An adjustment... Runs better, for sure, and they fixed the goddamn stroke editing tool, so it doesn't use near as much resource and crash even an R9 290 regularly.

It looks nicer, too, but you'll definitely have to get used to some things. Like instant motion is gone somewhere, and you have to go in and set your shortcuts to the "toon boom" setting.

Seems like the whole rigging process is slightly different, and I'm not sure yet if I like it more or less.

If tb runs well for you, I'd wait for an upgrade sale. That's how I got mine.

Anonymous

Anonymous Sun 25 Oct 2015 06:01:01 No.2260973 Report Delete

Quoted By: >>2261045

>>2260972
Thanks, I'll probably hold off for now.
I haven't messed around with tweening yet but I plan to, I wanna try doing a mix where I fbf all the main action but do motion tweens for any small secondary action or emphasizing a movement

Anonymous

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Anonymous Sun 25 Oct 2015 08:08:45 No.2261014 Report Delete

Quoted By:

Anonymous

Anonymous Sun 25 Oct 2015 08:36:57 No.2261028 Report Delete

Quoted By:

>>2260632
hey thanks dude!

>>2260772
Looks good, but try stopping after one action, now it's all one continuous move. it might be better if he paused.

Anonymous

Anonymous Sun 25 Oct 2015 08:38:23 No.2261030 Report Delete

Quoted By:

>>2260902
cool stuff, love the use of perspective and the moving camera!

Anonymous

Anonymous Sun 25 Oct 2015 09:13:26 No.2261045 Report Delete

Quoted By: >>2261136

>>2260973
That's pretty much how animation is done these days. When you do it right, you should barely notice the tweens, even if you're looking. It's not easy to do, trust me.

Anonymous

Anonymous Sun 25 Oct 2015 11:35:21 No.2261136 Report Delete

Quoted By:

>>2261045
Yeah I feel that
I'm up for the challenge though

Anonymous

Anonymous Sun 25 Oct 2015 12:51:23 No.2261195 Report Delete

Quoted By: >>2261423

Anyone have some decent material on lip synch? Faster diologue is especially giving me trouble.

Anonymous

Anonymous Sun 25 Oct 2015 15:34:50 No.2261423 Report Delete

Quoted By: >>2261427 >>2261664

>>2261195
Oney has a fun little tutorial about it. It's for flash, specifically, but applicable everywhere.

https://m.youtube.com/watch?v=1a5sdWsRO5g

Anonymous

Anonymous Sun 25 Oct 2015 15:36:56 No.2261427 Report Delete

Quoted By: >>2261664

>>2261423
Also...
Fuck any nigga, don't like Oney.

Even If you think he can't draw, he's likable.

Anonymous

Anonymous Sun 25 Oct 2015 19:10:23 No.2261664 Report Delete

Quoted By: >>2261672

>>2261423
Watching it now, thanks.
>>2261427
He's pretty much the only likable animator around any more... well, him a and his close friends.

Anonymous

Anonymous Sun 25 Oct 2015 19:16:25 No.2261672 Report Delete

Quoted By:

>>2261664
The sleepycast is fucking great.

Psychic pebbles is my husbando

Anonymous

Anonymous Mon 26 Oct 2015 01:17:13 No.2261950 Report Delete

Quoted By:

>>2259311
I really like this. The dialog is awesome, it has nice gear change and buildup of tension. I like that shes getting up towards the end where the tension is the biggest. I would make it a more gradual transition though. Instead of having her get right up and stand there gesturing, I put in a few poses in between. Also messed around with the starting poses just for fun. Hope it makes sense.
https://www.dropbox.com/s/5o4wdqchawe3zkv/ludicrous_edit2.mov?dl=0

Anonymous

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Anonymous Mon 26 Oct 2015 10:30:59 No.2262157 Report Delete

Quoted By: >>2262159

I got bored so I made this
>https://www.youtube.com/watch?v=PoHymu1Tg1c

pic is my next animation

Anonymous

Anonymous Mon 26 Oct 2015 10:32:48 No.2262159 Report Delete

Quoted By:

>>2262157
thats fucking surreal bro

Anonymous

Anonymous Mon 26 Oct 2015 10:53:13 No.2262168 Report Delete

Quoted By: >>2262171

>>2259267
To be fair the anime he has so far worked for have for the most part been the kind of productions where a lot of the animators are fairly young. Bones uses a lot of youngsters.

Anonymous

Anonymous Mon 26 Oct 2015 10:56:23 No.2262171 Report Delete

Quoted By:

>>2262168
Forgot to mention that webgen animators are a big deal right now because they have the innocent passion of working really hard and fast. So if you're a young animator working digitally in the industry and have some kind of talent then getting hired shouldn't be too hard. The industry is right now filled with animators just like Bahi. OPM being the best example I've in recent times.

Anonymous

Anonymous Tue 27 Oct 2015 00:42:34 No.2262933 Report Delete

Quoted By: >>2262940 >>2262967 >>2263005

So, I'm getting into traditional animation but I can't find animation cells or paper.
Does it works the same if I use copy paper, acetate sheets and a wooden Popsicle stick as a peg bar?

Anonymous

Anonymous Tue 27 Oct 2015 00:46:42 No.2262935 Report Delete

Quoted By: >>2262937

>>2259221
is bahi losing his mind or is this one of his old sketches?

Anonymous

Anonymous Tue 27 Oct 2015 00:48:23 No.2262937 Report Delete

Quoted By: >>2262942

>>2262935
What's wrong with it?

Anonymous

Anonymous Tue 27 Oct 2015 00:51:05 No.2262940 Report Delete

Quoted By: >>2262947 >>2262949

>>2262933
disney never worked with copy paper and turds, you faggot
get real animation supplies or else

Anonymous

Anonymous Tue 27 Oct 2015 00:52:15 No.2262942 Report Delete

Quoted By: >>2262946

>>2262937
no it's not bad, but i remember him being a lot more solid than that.
that page kinda looks chaotic and aimless. just look at that pikachu lel.

Anonymous

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Anonymous Tue 27 Oct 2015 00:59:20 No.2262946 Report Delete

Quoted By: >>2263086

>>2262942
Never seen a sketchbook?

Anonymous

Anonymous Tue 27 Oct 2015 01:03:07 No.2262947 Report Delete

Quoted By:

>>2262940
kek

Anonymous

Anonymous Tue 27 Oct 2015 01:05:36 No.2262949 Report Delete

Quoted By:

>>2262940
>disney never worked with copy paper
Yes he did. Specialized animation equipment didn't existed back then.

Anonymous

View Same Google ImgOps iqdb SauceNAO acmepunch-W-HOLES.jpg, 35KiB, 300x245

Anonymous Tue 27 Oct 2015 01:57:51 No.2262967 Report Delete

Quoted By: >>2263108

>>2262933
get a scanner and this

draw everything then scan it to computer

Anonymous

Anonymous Tue 27 Oct 2015 03:46:38 No.2263005 Report Delete

Quoted By: >>2263006

>>2262933
>>2262933
Please don't buy a hole puncher if you're not planning to start a studio.
If that money you can buy enough animation paper to draw until you give up animation.
Not to mention that it's a lot harder to find than just buy the fucking animation paper.

Anonymous

Anonymous Tue 27 Oct 2015 03:49:00 No.2263006 Report Delete

Quoted By:

>>2263005
>If that money
With that money.

Anonymous

Anonymous Tue 27 Oct 2015 07:36:47 No.2263086 Report Delete

Quoted By:

>>2262946
anon, just shut up when the adults are talking

Anonymous

Anonymous Tue 27 Oct 2015 08:19:57 No.2263108 Report Delete

Quoted By:

>>2262967
are you crazy? these cost like 700 bucks. why not get a 2 pin pegbar and a normal puncher?

Anonymous

View Same Google ImgOps iqdb SauceNAO 1383535957426.gif, 3MiB, 320x180

Anonymous Tue 27 Oct 2015 08:29:21 No.2263113 Report Delete

Quoted By: >>2263152

>>2260937
>>2260966

alright, I guess I'll work with keyframes then. I am only having trouble to imagine where to put prominent, distinctive keyframes, when the animation sequence is so smooth with it's transitions.
oh and thanks anon for the tip with the 3D models. I'll work with that.

Anonymous

Anonymous Tue 27 Oct 2015 10:06:06 No.2263152 Report Delete

Quoted By: >>2263157 >>2264632

>>2263113

What anime?

I think I've watched it before, the one where the guy can use his blood to fight things...

Wait..no that's another one about a prison.

Tell me

Anonymous

Anonymous Tue 27 Oct 2015 10:10:33 No.2263157 Report Delete

Quoted By: >>2263160 >>2264632

>>2263152
Kyoukai No Kanata

Not him, but Im telling you because its a great series. The movie will make you cry.

Anonymous

Anonymous Tue 27 Oct 2015 10:11:40 No.2263160 Report Delete

Quoted By: >>2264632

>>2263157

Noice, ty

Anonymous

Anonymous Tue 27 Oct 2015 10:12:46 No.2263163 Report Delete

Quoted By:

>>2259718
I love the oldschool anime style of animation. It's just so damn crisp.
Modern anime has way too much bloom and effect layers.

Anonymous

Anonymous Tue 27 Oct 2015 11:26:00 No.2263214 Report Delete

Quoted By: >>2264109

>>2260902
this is really cool. do you have a blog? would you mind uploading a page full of stills from this? maybe around the beginning with the extreme perspective going along the hand/arm

Anonymous

Anonymous Wed 28 Oct 2015 01:41:51 No.2264109 Report Delete

Quoted By: >>2265396

>>2263214
Thanks.

here's an album of those stills:
http://imgur.com/a/ESHP2

And blog:
http://ulala-chan.tumblr.com/

Anonymous

Anonymous Wed 28 Oct 2015 07:17:27 No.2264272 Report Delete

Quoted By:

>>2258792
Should I use a proxy for mega? Never used it before.

Anonymous

View Same Google ImgOps iqdb SauceNAO anim.jpg, 192KiB, 594x737

Anonymous Wed 28 Oct 2015 11:26:03 No.2264424 Report Delete

Quoted By: >>2264436 >>2264974 >>2265374 >>2265605

is there a good tutorial out there that shows how to work with traditional 2D animation on paper? I just ordered a light box. I am talking about the back and forth flipping and so on. I am mean it looks obvious from observation, but still I'd like to have some explanation.

Anonymous

View Same Google ImgOps iqdb SauceNAO patapata01.gif, 869KiB, 400x300

Anonymous Wed 28 Oct 2015 11:36:11 No.2264436 Report Delete

Quoted By: >>2264442 >>2265374 >>2266242

>>2264424
http://listeningside.net/a_side05.html

Anonymous

Anonymous Wed 28 Oct 2015 11:42:39 No.2264442 Report Delete

Quoted By: >>2264514

>>2264436
well thanks I am looking at the pictures and the video, but I don't speak japanese.

Anonymous

Anonymous Wed 28 Oct 2015 13:24:24 No.2264514 Report Delete

Quoted By:

>>2264442
How to set up a digital sketchbook

Anonymous

Anonymous Wed 28 Oct 2015 15:46:32 No.2264632 Report Delete

Quoted By:

>>2263157
>>2263152
>>2263160

Literally Kyoani's worst written work ever. Pretty though.

Anonymous

Anonymous Wed 28 Oct 2015 20:01:37 No.2264974 Report Delete

Quoted By: >>2266242

>>2264424
https://www.youtube.com/watch?v=haa7n3UGyDc
This playlist could be of your interest

Anonymous

View Same Google ImgOps iqdb SauceNAO 5 frame flip2.webm, 1MiB, 1920x1080

Anonymous Thu 29 Oct 2015 02:59:57 No.2265374 Report Delete

Quoted By: >>2266242

>>2264424
Here's how I do it for multiple frames with pegs on the top. 1 frame between each finger with the thumb on the bottom. The hardest part about it is moving each finger down towards the table independently, but you get used to it with practice.
>>2264436
this is the exact technique I use for in betweening/in between checking. The in between frame goes on the top with the previous and next frame underneath.

Anonymous

Anonymous Thu 29 Oct 2015 03:24:43 No.2265396 Report Delete

Quoted By:

>>2264109
domo domo

Anonymous

Anonymous Thu 29 Oct 2015 08:33:55 No.2265605 Report Delete

Quoted By:

>>2264424
why would people pin paper at bottom?
it's really hard to flip it to check animation

Anonymous

Anonymous Thu 29 Oct 2015 10:52:09 No.2265708 Report Delete

Quoted By:

>>2259193
its shit. it lacks consitency and weight.

Anonymous

View Same Google ImgOps iqdb SauceNAO tumblr_nlj3gaQEeT1rc3pqko1_400.gif, 2MiB, 400x300

Anonymous Thu 29 Oct 2015 18:19:05 No.2266242 Report Delete

Quoted By:

>>2264436
>>2264974
>>2265374

alright, thank you all for the advice and clip

Anonymous

View Same Google ImgOps iqdb SauceNAO 1438874277922.jpg, 28KiB, 600x442

Anonymous Thu 29 Oct 2015 22:22:22 No.2266726 Report Delete

Quoted By: >>2266745

>tfw there's always one guy in the course who's fucking obsessed with disney shit
>covers their drafting table with the more famous disney model packs
>they're shit at drawing and try to copy the disney style with no actual practice, literally just tracing
why are there people like this, you can't talk to this person without them sucking disney's dick.

Anonymous

Anonymous Thu 29 Oct 2015 22:29:31 No.2266745 Report Delete

Quoted By:

>>2266726
well you'll always need your inbetweeners

Anonymous

Anonymous Fri 30 Oct 2015 03:24:43 No.2267244 Report Delete

Quoted By: >>2267245 >>2267247

>>2258792
so I put my roughs/storyboards on 8's and 12's, am I doing it wrong?

Anonymous

Anonymous Fri 30 Oct 2015 03:33:41 No.2267245 Report Delete

Quoted By: >>2267247

>>2267244
Storyboards don't have a framerate fam

Anonymous

Anonymous Fri 30 Oct 2015 03:37:26 No.2267247 Report Delete

Quoted By: >>2267263

>>2267245
This. What the fuck are you talking about >>2267244 ? Are you saying you're using the storyboards as keyframes? Since you're not supposed to do that. That's what layouts are for. You can use the storyboards for animatics (If they are detailed enough, camera movement, character movement), but generally you redraw the entire storyboards to fit in an animatic, and then time everything in the animatic. So yes, you are doing it very wrong, whatever you're trying to do.

Anonymous

Anonymous Fri 30 Oct 2015 03:59:28 No.2267263 Report Delete

Quoted By: >>2267382 >>2267385

>>2267247
Then I must be on the animatic stage. Im just trying to setup my timing, most of it is on 8's and 12's, is that normal? How do I know if the timing is good?

Anonymous

Anonymous Fri 30 Oct 2015 07:29:45 No.2267382 Report Delete

Quoted By: >>2267395

>>2267263
lol you are not listening. even if you do animatics, why are you concerned with framerate? use your keframes and time the poses in seconds.

Anonymous

Anonymous Fri 30 Oct 2015 07:33:55 No.2267385 Report Delete

Quoted By: >>2267395

>>2267263
In the animatic, it doesn't matter if a drawing is held for 8 frames or 12 frames or 812 frames (ok not that much). Just time it out to what feels right. Once you have the rough timing, you back and tighten it down to the frames.

Anonymous

Anonymous Fri 30 Oct 2015 07:57:17 No.2267395 Report Delete

Quoted By:

>>2267382
>>2267385
i'll try your suggestions

Anonymous

Anonymous Fri 30 Oct 2015 14:08:19 No.2267761 Report Delete

Quoted By:

nice horse reference
https://www.youtube.com/watch?v=_ePvH5f2OdI
lets do a study of it or something

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