http://pastebin.com/LCRJigxy Source: 語ろう!クウガ・アギト・龍騎 (2013)
Book of interviews with various people regarding Kuuga, Agito, and Ryuuki.
Summary of interview with Urobuchi Gen on Kuuga
-Interview is from before he was allowed to talk about being on board for Gaim. They allude to it but end with him saying he's not allowed to talk about it yet.
-He says that working on tokusatsu is "probably" (once again, not allowed to talk about Gaim yet) completely different from working on anime, because there are a lot of factors outside the writer's control, like the belts. He "thinks" the writer is given the belt first and it told to write a story around it. Up till now he'd written stuff completely freely so it would be a huge challenge to him.
-Most of the Showa riders aired when he was a young child and he didn't see most of them, he thought the shows were scary. He first got into it in middle/high school when Black aired, and it was the first rider he watched in realtime (he got to know the other Showa riders later).
-He was influenced in his youth more by anime like Votoms than by tokusatsu. He was in elementary school and really into model kits when Votoms aired, and he loved the realism of how the Scopedog is only 4 meters tall and composed of identifiable everyday components like ladders and hooks.
-While he wasn't in the Rider generation, he did watch other tokusatsu stuff like Denjiman, Sunvulcan, Goggle V, Gavan, and Sharivan.
-He didn't watch all of RX, but loved Black, especially the "no future"-ness of how Golgom would win regardless of which of Black and Shadow Moon won. He loved the manga version's ending more, where it's left ambiguous if it was Black or Shadow Moon who won.
Anonymous
-Kuuga is his favourite rider. When it aired he was already an adult and a writer (Phantom was released one month after Kuuga started airing), and he started watching it wondering what they were planning to do with Kamen Rider all of a sudden after so long. He found that they were going all-out, making a show to be seen by children that isn't childish. -He loved the realism involving the police acting like what one would assume they should if monsters suddenly showed up. Also how it wasn't just the rider, but all the people- The police, the doctors, the researchers, the technicians- Using their own power to play their own parts in fighting the enemy- And figures that it must've been comforting to children to see how reliable adults are. A lot of works at the time revolved around people having special powers as a precondition, but Kuuga was different as in it what mattered was more fundamental things like courage and responsibility. Unlike other tokusatsu shows where military types fight the monsters with supertechnology and never manage to accomplish anything, the police in Kuuga have nothing special but still manage to fight the Grongi competently simply by never giving up and continuing to protect civillians. Kuuga is the story of how people fight paranormal phenomena by using their knowledge and organisational capability, and there just happens to be a guy with superpowers helping out. -He says the Grongi are the greatest monsters; What's scariest isn't monsters, but people. When Kuuga was airing there were a lot of scary incidents going on, and so what children felt was a more realistic sort of fear, like of the possibility that maybe your next-door neighbour might be a murderer. The Grongi are basically serial killers- They usual look like normal humans that you can't tell apart from anyone else, but they actually go around killing people based on values a regular person couldn't even begin to understand. To a child, that's the worst possible kind of monster
Anonymous
Quoted By:
-(Upon the interviewer mentioning Kiritsugu): While he did flesh out Kiritsugu, it was really Nasu who created him; Kiritsugu is ultimately a negative of Shirou. -(Upon the interviewer mentioning a Madoka Magica interview where Urobuchi talked about the importance of "poison" in fiction): It was the poison in stuff like Kamen Rider (though he was too scared of it to watch much) and Votoms that allowed him to get through hard times, having him think "well at least it's not as bad as THAT". In this day and age most people don't go to war or starve or whatever, and so people need to take in some poison, as a sort of inoculation, through fiction. The Grongi were a fantastic poison. -The Grongi were real-life societal fears (unlike other tokusatsu stuff like schoolbuses getting hijacked) translated for children. And that sort of fear still exists, so Kuuga doesn't get old at all. -(Upon the interviewer mentioning how killing is a game to the Grongi): It was magnificent how they used that setting; Though it's a game to the Grongi, they're serious about it, and their values are so different than that of humans that there's no room at all for negotiation. -(Upon the interviewer mentioning Vjedogonia): Vjedogonia was heavily influenced by Kuuga because he loved Kuuga that much. The story as a whole borrowed heavily from Kamen Rider, and the episode titles all being two kanji was inspired directly by Kuuga. -To Urobuchi, Kuuga was Kamen Rider's starting point and origin point and a completely straight ball. It was the ideal way to start. Agito and Ryuuki translations to come later Inoue Toshiki interviews too
Anonymous
So who's talking about Agito?
Anonymous
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>>13385952 All of the people in the book discuss all three.
Anonymous
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Very interesting, thanks OP. Urobuchi summarized nicely what's so great about Kuuga. The next book he does talk about Gaim, I know he definitely said writing for toku is harder than anime or eroge.
Anonymous
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>>13385928 >Kuuga is the story of how people fight paranormal phenomena by using their knowledge and organisational capability, and there just happens to be a guy with superpowers helping out. best Heisei? best Heisei
Anonymous
AGITO (p68-74) -His first impression of Agito was "Kuuga Deluxe"- Kuuga, but now with three riders, and the police guy becomes a rider too. The beginning and middle bits were fantastic, and the last parts (everything after Kino died) turning out how they did was disappointing. He was especially looking forward to the bit in the OP where G3 points his gun at Ozawa, which never happened. When he thinks about that he realises how tokusatsu stories can change completely based on all sorts of factors outside of the writer's control. But one of his favourite moments is at the very end, where an Unknown asks G3 "what are you?", and G3 replies "human!". -He especially liked G3, which is so impaired and weak that it actually becomes cool. -It was nice how the three riders were completely different; Kind of like Black RX- Regular, mecha, and bio. He's sad that Gills was pretty much the last of the Amazon-type riders. -(Upon the interviewer mentioning Hibiki): He wonders if Hibiki is even really a rider. Ryuuki, Faiz and Hibiki made him doubt his eyes at first and go "wait, are you supposed to be a rider?". But they were all really great once you actually saw them in action, and he especially loved Hibiki's design. -He says Hibiki is another example of how difficult tokusatsu shows are. You could tell how they were trying to make a proper drama, but because ratings were bad and toys didn't sell it ended up like this. It tried to do something no rider had done before, but was forced to change course halfway through, and that's just sad. But he knows it couldn't be helped.
Anonymous
Quoted By:
Damn, feel like rewatching Kuuga and Ryuki again (and Agito only for G3 and his police shenanigans)
Anonymous
-(Interviewer asks what Urobuchi thinks of how Agito didn't have Shouichi and Ryou transform into heroes, but instead depicted them transforming as something to be feared, them turning into monsters): He thinks that's the one thing Kuuga lacked, and he was hoping Gills would cover that, and was thus disappointed when Gills was barely relevant. He does think that if Gills made the story even more complex the children wouldn't have been able to keep up with it. -He questions if tokusatsu is an appropriate format for complex stories like Agito's, because of all the limitations and external factors that can easily change a story completely; If the mothers of the children watching the show got mad at something in it there's no way it's staying. -(Upon the interviewer mentioning Blasswreiter and Madoka Magica depicting the fear of transforming into a monster): That's precisely the fear Urobuchi felt when he first saw Kamen Rider as a child. Black left him with the impression that becoming a rider is a scary thing. Kamen Rider is about accepting and overcoming that fear, and he thinks that this might be subconciously affecting his works. -He mentions how he once saw an old video of Hitler youth vandalising a jewish house, and what scared him, even as a child, was the possibility that, if he had been born into that place and age, where all the adults say that it's that race that's messing up the country, it's their fault your father has no job, that what the Hitler youth were doing was what good children did, he might have done it as well.
Anonymous
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>>13385976 >He's sad that Gills was pretty much the last of the Amazon-type riders. Butcher has pretty good taste.
Anonymous
-(Upon the interviewer saying that Blasswreiter is "Urobuchi's Kamen Rider"): He says that when Itano came in, while he was still writing, he let Itano decide the entire setting and how things would go. Blasswreiter is thus Itano's ideal hero story, and so he thinks of it as "Itano's Kamen Rider". That the show was half Kamen Rider and half Ultraman was also Itano's doing. He thinks Itano wanted to do what he couldn't in Ultraman Nexus, and mentions how Itano complained frequently about how there's something wrong with Kamen Rider these days. Urobuchi's Joseph was originally a talkative guy, and it was Itano who changed the character into what he is. That's all for Agito, will do Ryuuki later.
Anonymous
>>13385981 I'd love to see Urobuchi's unrestricted Kamen Rider story dealing with the base themes. And before you say Gaim, Gaim is obviously something very different.
He does seem like he'd have an interesting take on it.
Anonymous
>>13385981 is Blasswreiter even good
Anonymous
Anonymous
>>13385976 >>13385928 Today I learned that Urobuchi has good taste in Rider shows
Anonymous
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>>13385984 The only way I can see it happening is a series with Amemiya, he's a huge fan of his works and even his video games.
>>13385991 Overall it's not good, but some episodes are decent.
Anonymous
>>13385998 He also has good taste on moeshit
He praised Milky Holmes in some interview while Madoka was airing
VF-kun !!hMpyEgtTibK
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>>13385991 It was a nice show with a terrible ending.
Anonymous
RYUUKI part 1 (pg 75-84) -Ryuuki was a huge surprise, completely outside the boundaries of Kamen Rider; He wonders if it can even be considered a Kamen Rider- It may have it in the title, but the story is on a completely different vector. But that's what made it so interesting. He thinks Kuuga and Agito did everything a Kamen Rider could and should do, and they needed a breakthrough, and that it was a good idea that they made a rider that wasn't. Ryuuki broke the chains and set the subsequent Heisei riders free. It was basically the G Gundam of Kamen Rider. -The idea of having villains and criminals as riders was unexpected and amazing. The only rider who looks like one is Ryuuki with the eyes; If you take the other guys, like Zolda or Ouja, and have them just stand somewhere, they didn't look like riders at all. You'd think they were from some other tokusatsu show. Ryuuki is a magnificent piece of work that became what it was by completely ignoring previous works. -He loved Ryuuki, and thinks that there are no battle royale type works that have surpassed it. The part where all the riders meet up for the first time, around 19, where it becomes a chaotic four-way, then a five-way fight, and all of a sudden Gai is dead. Gai and Ouja were sort of working together up till that point, then Ouja just betrays Gai like that out of nowhere. That's how battle royales should go. Everyone fights to a stalemate, then a new participant shows up and you get chaos everywhere. Gai lost because he let his guard down; People don't drop out because they're weak or strong, but because they make mistakes. -He referred to Ryuuki while writing Fate/Zero: Episode 4 and 15 were his own Ryuuki-style battle royales. He wanted those fights to have viewers know what he felt like when he was watching Ryuuki.
Anonymous
-(Interviewer asks if he referred to Ryuuki while writing Madoka Magica which has similar themes): Kyouko was initially based on Asakura; A character showing up midway through who's nothing like what you'd expect for a character of the genre. But she ended up a good person because it's hard to make villains out of Aoki Ume's character designs. He finds it interesting how a writer can be influenced like that in anime, because in a novel the writer doesn't see any visuals until the book is done. In anime the writer changes stuff based on character designs and the voice actors' performances. During Blasswreiter, Itano told him "always come to recordings, because there's no telling what will happen", and he still follows that advice. -(Interviewer mentions how people with pure wishes tend to have horrible endings in Urobuchi's stuff, using Madomagi's Sayaka and Fate/Zero's Kariya as examples): He thinks wishes are a sort of magic that bewitches you and causes you to lose your balance, and many people don't realise how scary this is. He thinks that how simply chasing a dream or wish is considered to be beautiful is a scam perpetuated by conmen, because it makes it easy for them to do business. He thinks the quote "dreams and curses are the same thing" from Faiz was magnificent. The idea "if you buy this, your dream/wish might come true" a fundamental component of all sorts of business. They're telling people to have a vision of what they want to become, and to head towards it. That on its own isn't a bad thing, but to say that's all to it is plain deception.
Anonymous
-(Interviewer says watching Sayaka and Kariya on the road to ruin is great fun, and wonders why people love tragedies): He says it's nothing new, it's something that's been around since Shakespeare. It might be in bad taste, but because people can watch it knowing it has nothing to do with them, they can enjoy it. But tragedies can be nourishment for people too; For example, by watching Jerid in Z Gundam, he decided to be a person who wouldn't be particular about unnecessary things. Jerid could've had a great life if he hadn't been so mad about Kamille chasing him all the time. There are plenty of people in this world that you'll never be able to beat, and if you worry about that you'll destroy yourself. Just take a different road. Tragedies leave this sort of stuff with you. -He never thought of himself as writing a lot of tragedies and bad endings. To him, adversities are things used to make a character stand out by showing how they think and act when they have nowhere to run. The darkness is there so that they can shine. -(On interviewer asking him what he thinks a hero is): He thinks Kitaoka/Zolda had it right when he said "a hero is something you fail to be at the moment you want to become one". A hero isn't something you try to become, but something you end up as. A hero is defined by how others see you, and isn't something you can reach on your own. -(On interviewer asking who he thinks, among the Heisei riders, is an ideal hero): He can't decide because the Heisei riders are too varied, and says that many of the riders probably don't even think of themselves as heroes, like Takumi/Faiz who doesn't even have a goal to try and accomplish. Takumi is just resisting his own fate, and that in itself, his way of facing himself, may be considered heroic by a third party. Ten more pages to go but I'm tired so that's all for now.
Anonymous
Quoted By:
>>13386059 >Kyouko was initially based on Asakura; >not genius lawyer Kitaoka I appreciate your effort OP, thanks a bunch. Weill gladly keept the thread alive if needed.
OP
Oh and I also got the second book which is people discussing Faiz, Blade and Hibiki. Urobuchi (post-Gaim) and Inoue Toshiki return, and are also joined by Handa Kento (Faiz's actor) and Suzumura Kenichi (yes the voice actor).
Anonymous
>>13386059 >magenta has a giant butthurt breakdown over how misogynistic Gaim is and wails about how the girls in madoka suffer because of wishes which is misogynistic >Suffering from wishes/dreams is taken from Kiba's quote in Faiz FAIZ IS MISOGYNISTIC MALE PATRIARCHIES
Anonymous
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>>13386078 Please don't attempt to drag ridiculous unrelated drama into this.
Anonymous
>>13386073 Will there be a summary? That's way more interesting
Peachy !t/w34zUea.
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This sure leaves a new way of looking at some of the choices he made in Gaim regarding the Riders. Thanks for doing this OP.
VF-kun !!hMpyEgtTibK
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>>13386073 I'm honestly interested in the bits about Blade, since it's my favorite series.
Anonymous
>>13386083 Probably will do at least Urobuchi. Kind of want to do Inoue's in both books too.
Anonymous
TE i thought you said you left /m/ forever you huge babby
Anonymous
Anonymous
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Do all the faiz parts
Anonymous
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>>13386100 Oh my god, he loved Black... Yggdrasil yurusane is a reference to Golgom yurusan isn't it.
Anonymous
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>>13386059 >>13386060 It's interesting that he has that take on wishes and heroes while being a fan of Fate/Stay Night. He obviously sees Kiritsugu as a tragic figure too far up his own ass, but I wonder what he thinks of Shirou?
Anonymous
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>>13386073 >Hibiki Oh shit!
Please do more summary OP.
Anonymous
OP who else was interviewd in the first book?
Anonymous
Urobuchi seems like an okay dude. His works aren't universally great (the same can be said of most people who work a lot really) but I can at least see that what he's trying to do, even if it falls apart and clatters to the ground like a huge mess.
Anonymous
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>>13386092 >implying any of us can leave /m/ OP
>>13386134 Kuuga, Agito Ryuuki has
-Utamaru (rapper)
-Butch
-Katou Natsuki (Actress/model; Miho/Femme in Ryuuki; Also a huge SRW and Midorikawa fan who's been in several SRW commercials and voiced Luria in Alpha 3)
-Taketomi Kenji (mangaka)
-Kiridooshi Risaku (critic)
-Takatera Shigenori (producer of Kuuga and Hibiki)
-Inoue "Food is actually sex" "I fell into a river" "Shintani Ryouko thought I was a yakuza" Toshiki (actor who plays a construction worker in the final episode of Faiz)
Sailor Otaku !WeEaBOONrQ
Quoted By:
>>13386137 He seems like a less obvious M. Night Shyamalan. TWEEST.
It's funny that Robot Chicken will always be remembered for defining him.
Anonymous
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>>13386148 >-Takatera Shigenori (producer of Kuuga and Hibiki) If it's not too much trouble. This interview would be great that I'm sure I, and many others, would appreciate hearing a summary of.
OP
>>13386148 Also, Faiz, Blade, Hibiki is
-Inoue Shinichirou (Kadoka boss and producer)
-Ninomiya Tomoko (mangaka)
-Suzumura Kenichi (Sakamoto Maaya's husband)
-Butch (some eroge writer)
-Moritsugu Kouji (actor, Tennouji in Blade and Moroboshi Dan in Ultraman)
-Handa Kento (actor, Inui Takumi)
-Aikawa Shou (scriptwriter, second half of Blade and main writer of Decade)
-Takatera Shigenori (producer of Kuuga and Hibiki)
-Shirakura Shinichirou (Shirakura P)
-Inoue "Ren and Yui are sex friends and Kusaka raped Mari" Toshiki (Black Condor)
Anonymous
>>13386148 >Miho/Femme in Ryuuki; Also a huge SRW and Midorikawa fan who's been in several SRW commercials Huh, never know this.
Anonymous
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>>13386137 Only for some of his anime, his LNs and VNs don't have this problem because they have a single creative voice.
Anonymous
>>13386168 She voiced Lamia in the GBA OG2 commercials too.
Have some Luria.
https://www.youtube.com/watch?v=Tb5t_9HsyMI Anonymous
Anonymous
>>13386137 I'm conflicted because I haven't seen a single Urobuchi work I can say I really enjoyed from start to finish, in fact most of them leave bad tastes in my mouth. But when I see interviews he seems like the kind of guy I'd have fun hanging out with. I don't know whether to admire the dude for grasping high concepts and going into projects with ambition or look down on him for not being able to back up that ambition.
Perhaps it's just a personal taste thing since Urobuchi emphasizes plot and themes and characters are more or less tangential to both of those whereas I prefer when characters are the focus and they're the ones who build the plot and themes.
I'd never even entertain the notion of playing D&D with him, though. Anonymous
>>13386251 >I'd never even entertain the notion of playing D&D with him, though. Are you just saying that or are you aware of the thing where he plays a tabletop RPG with Nasu and Narita Ryogo and they turn their RPG sessions into a novel series?
http://sai-zen-sen.jp/special/reddragon/ Anonymous
>>13386263 I'm saying that after seeing
the anime version I don't know how much they changed but I don't see the entertainment value in bringing a Chaotic Evil character to the table and spending the majority of the campaign with no goal other than fucking everyone else over.
Anonymous
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>>13386278 Well, he carries a bunch of swords because his power is that all of his weapons break in one hit but that one hit is extremely powerful because I dunno.
Aaaaand that's about as much as I know about Chaos Dragon.
Anonymous
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>>13386177 >>13386188 I'm conflicted here. It's good to know she's an SRW fan but that Lamia cosplay of her looks weird.
I wish we can know her SRW opinion, like characters she aced, her fav units, stuffs like that.
Anonymous
>>13386289 Are you sure about that?
Anonymous
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>>13386289 The anime version butchered his character and the plot. His character is similar to F/Z Kirei.
He went on twitter and warned people from the playing the same way he did, he only played that way because it would make for an entertaining read. He even said he wouldn't want to sit in a TRPG session with a character like Lou in it.
Anonymous
>>13385979 > Agito didn't have Shouichi and Ryou transform into heroes, but instead depicted them transforming as something to be feared, them turning into monsters That's the entire point of KR tho.
Anonymous
>>13386309 Yeah, see, because that sorta stuff doesn't seem like entertainment. It's probably the kinda thing I'd dig if I were a teenager who likes to kick other people's sand castles, but I can't see the value in it.
I mean, if the whole group is in on it then more power to them, but I think things would be more smoothly if there was some cooperation going on and Urobuchi's role of "kill people just to give the campaign more melodrama, act obviously evil and have it bother nobody, then suffer no consequences" was probably my least favorite thing about Chaos Dragon.
Well that or the main character being as boring as a brick.
There were a lot of problems.
Anonymous
>>13386347 Usually the hero is "clean" and no monster-like though. But, then, I don't get why the interviewer places Agito and Gills in the same category apparently. Considering the translation, it seems like Urobuchi subtly disagreed too considering how he goes on to just mention Gills.
Anonymous
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>>13386352 >Yeah, see, because that sorta stuff doesn't seem like entertainment. It's probably the kinda thing I'd dig if I were a teenager who likes to kick other people's sand castles, but I can't see the value in it. That's where we're going to have to disagree, because if I'd been one of the other players at the table in
>>13386309 , I'd have given the fucker a standing ovation. It was brilliant roleplaying, and I honestly can't think of another way I'd rather see one of my characters die.
>Urobuchi's role of "kill people just to give the campaign more melodrama, act obviously evil and have it bother nobody, then suffer no consequences" was probably my least favorite thing about Chaos Dragon. Oh, I agree entirely. What Urobuchi did wasn't particularly entertaining. I was just disagreeing with
>>13386289 's general condemnation of "chaotic evil characters who fuck over their party" on general principle, because it can work damn well if done right.
Anonymous
>>13386355 >But, then, I don't get why the interviewer places Agito and Gills in the same category apparently Keep in mind when Shouichi is first shown TRANSFORMING into Agito, the Unknown actually get intimidated and try to stop him before he goes all the way through, and on a couple occasions Unknown would simply fucking flee from the fight irrationally - like the one that just ran off and G3 did the Machine Tornader drive by on. He's THEIR monster, it's kinda interesting.
As for Gills, Gills is played genuinely monstrous compared to the other three Riders - constantly roaring, grunting, clawing, flinging guys around. Not a lot of clean, controlled stuff.
Anonymous
Anonymous
>>13386162 >Hibiki's producer talking about Hibiki. This should be interseting.
Anonymous
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>>13386576 Hibiki is one of my favourite Riders, would love to hear what he has to say about the show, and behind the scenes details about producing it.
Anonymous
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>>13385991 It's hilarious.
Anonymous
>>13385928 Pretty much summed up everything great about Kuuga wonderfully
Anonymous
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>>13385976 >-His first impression of Agito was "Kuuga Deluxe"- Kuuga, but now with three riders, and the police guy becomes a rider too. The beginning and middle bits were fantastic, and the last parts (everything after Kino died) turning out how they did was disappointing. He was especially looking forward to the bit in the OP where G3 points his gun at Ozawa, which never happened. When he thinks about that he realises how tokusatsu stories can change completely based on all sorts of factors outside of the writer's control. But one of his favourite moments is at the very end, where an Unknown asks G3 "what are you?", and G3 replies "human!". Holy shit, I think I might be Urobutcher
Anonymous
>>13386563 So one of the concepts for Agito was a templar?
docbrownspaceman !OFzNbmUT0w
Quoted By:
>>13388753 Are you talking about the "cross" on his chest?
If you look close, you can see they're the swords hence the different hilts.
Anonymous
>>13386563 I'd love to see that Knight Templar motif used in another rider series. Are there more concept art OP?
Anonymous
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>>13386019 Milky Holmes isn't based around moe though, it's based around comedy due to the neverending damedame
Anonymous
Anonymous
>>13386355 >>13386549 For me, what really cements Agito's position as monstrous to the Unknown is how Shouichi instinctively knows whenever one of them is up to something. It's like how God or Santa are constantly watching a person. There's no escape or hiding.
Anonymous
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>>13386019 >moeshit Milky Holmes is about a bunch of retards fucking everything up, not moe.
Anonymous
>>13390198 Souichi's portrayal was my only beef with Agito. I could never tell if he was a retard, playing dumb, a retard with amnesia, or an amnesiac playing dumb and retard.
The first episodes where he just goes " UNKNOWN ALERT" mode, drops everything he's doing and beats the shit of the motw without acknowledging it later irked me the most. Specially because he's later shown as pretty aware he's Agito and jokes around the subject (Agito club, anyone?)
The X-files mistery theme, creepy Overlords and police gig was great, though.
Anonymous
>>13390256 Some KR shows have a strong dissonance between the MC and his rider form. The worst offender is probably Kiva where it feels like watching 2 different shows.
Anonymous
>>13390286 >The worst offender is probably Kiva where it feels like watching 2 different shows. I thought it was a "cool dad protagonist in past>>>>>faggot son protagonist in the present" kind of deal.
Anonymous
>>13386263 >>13386289 Wait, Chaos Dragon was that? I didn't watch a single episode because it looked completely unappealing, I didn't know it was based on that. Is it worth giving it a shot?
>the thing where he plays a tabletop RPG with Nasu and Narita Ryogo Which of them was the DM, anyway?
Anonymous
>>13390389 Yes, but as soon as the faggot son becomes Kiva it's like a totally different person. Same thing is happening with Ghost this year.
Anonymous
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>>13390411 DM was someone else and there were like 2-3 more people playing as well.
Anonymous
>>13390411 It was based very loosely on the original campaign. They changed the personality of some of the main characters too. The anime is terrible and was only made to advertise the mobage.
Red dragon on the other hand was great, It's basically just Lodoss with Nasu, Narita and Urobuchi. Their colors show a lot in it. The players were fun too, Urobuchi had great one-liners, Nasu made jokes all the time. They had a bit of an advantage since they played a lot of board games before, Urobuchi even used to play more obscure ones like Ogre.
The DM is Makoto Sanda, a former employee from Group SNE. All the participants were actually good friends before.
OP
I started doing the rest of Ryuuki, then they started discussing Psycho-Pass and I had no idea what they were talking about since I hadn't watched it yet and I checked and found that it's on Hulu so uh I'm going to go watch Psycho-Pass so this won't be done for some time. Here's what I'd done so far -(Interviewer compares how Kanzaki Shirou and QB have similar MOs, then notes how while Shirou was acting on a personal level, Urobuchi's villains, like QB and Makishima, typically don't): He says since enemies are villains, there's no need for the audience to empathise with them, and thus there's no need for them to be moved by fundamental human desires. People who act based on something other than the pursuit of their own happiness can be dangerous, and can end up with inhuman, monstrous ways of thinking. -To him, the most attractive kind of evil is Kotomine Kirei's, and it was Kotomine that made him want to write Fate/Zero. He liked how Kotomine looked at the evil within himself objectively, and thought to research it. -Evil and heroism are two sides of the same coin; While evil does exist, characters can change completely based on how they face it. A character who uses his evil as a tool can be considered an antihero, while a character who allows his evil to use him is just a lunatic. To him evil is foreign, which is why it's interesting, though of course being different doesn't equate to being evil. -(Upon the interviewer saying that QB's motives are logical and understandable): But there's no real reason to understand him, and since it's actually impossible for humans to understand him, he can be considered evil.
OP
-(Upon the interviewer comparing the soul gems of Madoka Magica to the price of being a rider, saying that riders never paid a price that high): He says that the price of being a rider has always been too much, ever since the original. Tragedy surrounding transforming heroes and people having to pay a price to gain special powers is commonplace. I think not having a price to pay for power is part of the mahou shoujo genre, and that bringing that in was violating a taboo, but that's all. -(The interview says "but from the moment they seal the contract they're ****!): He says that from the point of view of aliens they're not *****, in fact they've advanced as a life-form. That the humans aren't satisfied with what the aliens say is part of it, of course. -(The interviewer mentions the Sibyl System from Psycho-Pass and how gaining a different body is a common theme in Urobuchi's works): Urobuchi's been sickly since he was younger, not having the sort of body where you can just work out and get stronger, and he realised that there are just people who can and can't do that as a child. He wants a mechanical body already. He doesn't know if the age where people can easily customise their bodies will come in our generation, but the fact that we're reaching it gives him hope. (Oh and I haven't watched Blasswreiter either but all mention of it seems to result in "no no that was ITANO's fault not mine" so I'm guessing it isn't very relevant in this)
Anonymous
>>13390661 >-(Upon the interviewer saying that QB's motives are logical and understandable): But there's no real reason to understand him, and since it's actually impossible for humans to understand him, he can be considered evil. What about Sagara, Butcher?
Anonymous
>>13390666 Sagara was supposed to be an avatar for something like a natural disaster.
OP
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By the way if someone could post this on whatever forums or communities English-speaking tokusatsu fans go to I'd appreciate it
Anonymous
>>13390446 has the entire campaign been translated? I love reading campaign logs and stories like that from /tg/ and i'm really interested in reading something like this.
Anonymous
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>>13390803 There's an ongoing effort on Beast's Lair.
Anonymous
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>>13390803 The campaign is 6 nights long and only most of night 1 has been translated:
http://forums.nrvnqsr.com/showthread.php/3472-Red-Dragon There were some summaries posted on /a/ way back, most of it is Urobuchi shenanigans.
Anonymous
>>13390663 >He wants a mechanical body already. Truly, our lord and saviour.
Anonymous
>>13391457 He sounds like us.
What the hell.
Anonymous
>>13390286 Ryuki is also a contender for that, Shinji could get beaten up by generic human thugs.
Anonymous
>>13390661 >I'm going to go watch Psycho-Pass so this won't be done for some time. Cool, just stop when season 1 ends, the rest is shit.
Anonymous
>>13391506 Or rather, just stop because Urobuchi only wrote season 1. Not that I'm saying you're wrong, but this is a better reason.
Anonymous
>>13391494 Ryuki in Rider form was a total dumbass who bumbled through a lot of the early fights and slowly got gud throughout the series, until he gets his hands on the Survive card. And he still isn't as good as Ren.
I don't really see the dissonance between them
Anonymous
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>>13391506 urobutcher confirmed for /m/
Anonymous
So basically, Ryunosuke from F/Z and Ouryo from Pyscho-Pass were Grongi? Good to know.
Anonymous
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>>13391494 >>13391554 The guy was a pacifist underdog to the bone. He was but thrown into of a group of rampaging assholes and murderers
Anonymous
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>>13391521 Urobuchi also made the movie tho.
Anonymous
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>>13391693 >So basically, Ryunosuke from F/Z and Ouryo from Pyscho-Pass were Grongi? Good to know. I guess Caster too.
Anonymous
>>13390697 Is that from what Urobuchi or other staff said or what Sagara himself says? I think it's been brought up a bunch of times that Sagara tries to make himself sound more neutral than his actions make him seem.
Anonymous
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>>13395041 Both I guess, Kouta questions his neutrality at the end, but Sagara says destruction is inevitable, it's part of giving room to the next generation.
Apparently in the next book, the one about Faiz, Blade and Hibike. He says Helheim was inspired by the 2011 earthquake/tsunami with Yggdrasil being TEPCO. I didn't read the book, this just what some nips said after reading it.
Legilis Gundam (formerly known as Kamen Rider OOZ)
Quoted By:
bump I'm standing by for Blade and Faiz summaries
OP
>>13390663 -However in Asian philosophy it's traditionally been thought that people think not just with their brains but with all of their nerves as well- With their entire bodies. If he had had a strong and healthy body he might never have become a writer. He doesn't regret becoming a writer and doesn't want to, and so while he does feel like he wants a mechanical body, he's also afraid that he could lose something from getting one, and that's a big theme to him. The fear riders feel when they transform is something you can easily understand if you have some sort of chronic disease, when sometimes you wonder if your disease is getting worse or if you're just getting a cold. And that's why he watched Agito empathising with Gills.
-(Interviewer points out how multiple endings and loops are common in video games, and asks what Urobuchi thinks, as a game writer): They're appropriate since battle royales in general are very game-like.
-(Interviewer asks why he thinks loop stuff like Ryuuki, Haruhi and Higurashi were popular in the 00s): It's something anyone who plays video games will imagine. The writer of All You Need Is Kill said he got his idea from video games' save/load functions, and everyone has died in a game and started over with the knowledge of what's coming next. Everyone probably thought of turning that into a proper story at the same time.
-(Interviewer asks why Madoka was a loop): He came up with Homura first as a character who, while silent, stays by Madoka's side and knows everything. The best way to get that to fit was a loop. He wanted to make a sort of betrayal, where this mysterious person plotting stuff in the background you can't seem to trust turns out to be the person who was thinking of the protagonist the most all along. So the loop was just to justify Homura's actions.
-Ryuuki was in 2002 and he was surprised that they did a loop at such an early point, and in a Kamen Rider.
OP
>>13397511 -(Interviewer says both mahou shoujo and Kamen Rider are a genre that have a set format, and asks if Urobuchi thinks there's anything in there that makes them particularly interesting): Having a long history means you can reach back into the past and take old parts out and rearrange them and skip explanations by saying "this happened before, you know what it is, so we're skipping explaining it". You can make shortcuts. (Interviewer asks if he means stuff like "but how and why do they transform WITH BELTS!?") Yes, and by skipping explaining that you can spend time on other things.
-(Interviewer compares Ryuuki being different to Madoka Magica being different): He says that he had the intention of keeping Madoka Magica close to the format to some extend, at least with Mami up till episode 3. He felt that up to that point the series had stayed in line with the genre. Cosmic horrors like QB of course aren't seen in regular mahou shoujo shows but he didn't start with the intention of making him that creepy- That was the animators' doing. The cute manga version is closer to his original vision.
Three pages to go
Anonymous
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>>13397516 I honestly think a moeblob QB would have made everything even creepier.
Anyway, thanks again, OP.
OP
>>13397516 -He thinks big changes like that happen in tokusatsu more. Because everything in anime is pure fantasy, it follows a perfect plan, and nothing really changes much from said plan. In tokusatsu like Kamen Rider though you don't need such a perfect plan; They change shooting locations, or cut down on a character when their actor is sick, all the time. And then there's toy sales, and complaints from parents. Tokusatsu is made in a short span in the midst of all these factors. And they're broadcast for so long too; Four cours is unthinkable for anime these days.
-(Interviewer asks what stands out the most in the Heisei rider series as a whole to him): Kuuga was a masterpiece of Kamen Rider, while Ryuuki was a renaissance that brought the series towards an entirely new direction. Anyway there are many more riders coming out and it's too early to look back.
-(Interviewer asks what kind of riders he wants to see): He'd like them to go back to the mindset that made Kuuga, but understands that that'd be difficult. Either way, he wants them to continue to remember whenever they make a new show that to a child it might be the first form of entertainment they ever see. It's tokusatsu stuff like Kamen Rider and Ultraman that serve as starting points for children of all generations, and through that starting point they expand their views to include more stories, and that position as a starting point is a proud and extremely important one.
OP
>>13397595 -(Interviewer asks what he thinks of how recent Heisei riders are lacking "poison"): He says it can't be helped. While he'd like poison, it's hard for that to be approved these days, and the franchise is just too big to be easily moved in that direction. The series is made by many people, and that includes the children's parents. Kamen Rider is a product of its age's parents' consensus. He's sad that the poison is gone, and sees it as a reflection of the current philosophies in child raising.
-(The interview concludes with the interviewer hoping that one day we'll be able to see a poison-filled Kamen Rider made in Kuuga's mindset, by Urobuchi, and Urobuchi says that if he gets the chance he'll do his best).
That's all from Urobuchi in this book. I know I said I'd do Inoue Toshiki but I think I'll do Urobuchi in the next book (Faiz/Blade/Hibiki) next. (Not yet, though; Maybe tomorrow or the day after)
Anonymous
>>13397595 >Kamen Rider might be the first form of entertainment and starting point for a japanese child When you say it like that, "karate bugmen in spandex" are truly serious business.
Anonymous
>>13397642 It is serious business, Power Rangers is retarded and look at how its fanbase grows up into retards.
Anonymous
>>13397599 This was very interesting to read. The guy obviously really likes his bugmen.
>That's all from Urobuchi in this book. I know I said I'd do Inoue Toshiki but I think I'll do Urobuchi in the next book (Faiz/Blade/Hibiki) next. (Not yet, though; Maybe tomorrow or the day after) I'm looking forward to that one, it will probably be mostly new questions about Gaim and the difficulties he faced during production.
There is also that Inoue and Urobuchi interview, but that was in an entirely different book.
Anonymous
>>13397712 >There is also that Inoue and Urobuchi interview, but that was in an entirely different book. Heard about that, didn't it basically have Urobuchi go on about how much he loves Kamen Rider and Inoue being a dick blowing him off?
Anonymous
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Everytime Gen makes a talkative MC, the anime staff and director change the MC to be some kind of autist. Case in point, Joseph and Eggs-kun
Anonymous
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>>13397719 I didn't read it, but I think it's mostly about their personal experience writing for rider. Apparently Inoue is a really cool guy too.
Anonymous
>>13388397 I have to agree. Kuuga is a Powerful Grongi and had turned one of the kindest, gentle souls into a Grongi. The final fight wasnt about killing the Grongi leader. It was Yuusuke's final struggle with the beast that was going to wake up. Seeing Daguba laughing as he fights as Yuusuke cries knowing that if he dies or thinks that killing him is a good thing the Grongi would win the Gegeru.
>>13386060 Too bad too many people complain about how grimderp some work are. Akame Ga Kill and GoT for instance are example where they want the world to be given a strict mercy even though tragedy states its gonna be too good for them
>>13385976 I remember how I skeptically said Inoue would make the mecha series attempt to be a drama ala The FIRST/NEXT. I was right on that mecha and toku has tight leashes to the the plastic toy factory with golden dog food dishes
Anonymous
>>13397666 Was that really necessary? This isnt even /prg/ let alone /ssg/
Anonymous
>>13398028 Either way Grongi had won the Gegeru.
Godai finished their game in their way.
Anonymous
>>13398536 Just stating the facts. Experiences in adolescence influence a child's growth far more than most people realise, and retarded shit like Power Rangers results in some really retarded adults.
Anonymous
>>13386087 I will give you money if you do Inoue's views. I'm really curious what he thinks of Agito and if he's aware of how far he's fallen.
Anonymous
>>13397712 >The guy obviously really likes his bugmen. Really. Usually when a writer/director/actor that claims to be a fan of something they always point out superficial aspects of it, but it seems this guy truly cared about KR during his life. He even refers to specific parts of each show.
>>13398620 >and retarded shit like Power Rangers results in some really retarded adults. And apparently not watching power rangers results in something even worse. Just stating the facts.
Anonymous
>>13398962 He wrote Shougeki Gouraigan in 2013 so he probably isnt.
Anonymous
>>13398572 >Either way Grongi had won the Gegeru. >Godai finished their game in their way. If Godai assumes leadership of the Grongi since he himself is a Grongi then yes they would have won. But throughout the fight he did not embraced the Gegeru, he did not laugh, he did not enjoyed the hope of ending the reign of a psychopath.
This is why Urobuchi loved the Grongi so much compared to the Orphenoch. United not by eugenics but by sadism and the pleasure of hurting others which we see in real life.
Anonymous
>>13398990 It was comedic and he did it with Amemiya. He could still be self-aware.
Anonymous
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>>13399023 >It was japanese and he did it with Amemiya ftfy, respect actual comedy.
Anonymous
>>13397666 I fear for the generation of children raised on something as mind numbingly stupid as Ghost.
Anonymous
>>13399275 Compared to other seasons of Kamen Rider I would agree with you but it's nowhere near as bad as a majority of seasons of Power Rangers. Ghost at least has a message that most people can behind of believing in oneself. Power Ranger adaptations often lose the message that the original Super Sentai version had. I would even bet money that the kids raised on Dino Charge right now will end up ten times worse than the children currently being raised on Ghost.
Anonymous
>>13399472 I know right? I mean, how can anyone like that fake artistically offensive legal theft that is PR instead of the superior nihon version? The superior nihon version has deep thought provoking messages, its not just a toy commercial. Glad there's people who think that way, see you in Manila bro.
Anonymous
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>>13399005 Gorae ridegibagiza so gutabare yoguzuga.
Anonymous
>>13399472 >kid raised on DC Buys the merch, grows up, becomes a salaryman, forgets about Power Rangers and if someone ever mentions it, he will claim it hasnt been good since DC.
>Kid raised on Ghost Buys the merch, grows up, becomes a salaryman, his son also watches Kamen Rider, so he ocasionally does. May go to the cinema in summer 2020 when Takeru's actor returns for "Super hero Taisen 7: 7 reds vs 7 riders featuring fushigi comedy", but other than that forget about the show entirely.
Anonymous
>>13399648 Wrong
>Kid raised on Ghost Shaves his head to be more like Bald Shunpei, becomes a furry with an iguana fursona, wears hoodies and picks fights with strangers on the streets at night. Either that or he ends up being a diaper shitting autist who makes squeaky CGI iguana noises until mummy brings him tendies.
Anonymous
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>>13399648 >A kid having a kid in 5 years with age to watch Kamen Rider. Shit, I really should go to sleep, that doesnt add up.
Anonymous
>>13399636 it's show for kids, calm down
Anonymous
>>13399702 That's kinda my point here.
Anonymous
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>>13398963 >A mlp macro comparing JDF and Makoto. >Other cartoon macros yelling "bootleg". Man, the extreme side of fandoms are weird.
Anonymous
>>13399636 Nice shitpost bro. Never said anything about deep thought provoking messages. Just having a simple message for young kids as opposed to not having a message at all.
>>13399706 You're doing a really shitty job of conveying it.
Anonymous
>>13391471 Perhaps /m/ could have liked Urobuchi if he hadn't made the fatal mistake of making popular things.
Anonymous
>>13399733 >You're doing a really shitty job of conveying it. Worry not, seeing you sperg about what kids like will only help it.
Anonymous
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>>13399751 the assmad is real
Anonymous
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>>13397599 Does he get in the behind the scenes writing/production of Gaim in the next book?
Anonymous
>Thread about interesting interviews with Kamen Rider's most infamous writers and directors >Attempted derailment with Power Rangers vs Kamen Rider vs malayscum Shit like this is exactly why God is ashamed of us.
Anonymous
>>13399835 we can just blame this guy
>>13399636 and be done with it
Anonymous
Anonymous
Anonymous
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>>13391554 He bumbled a lot at first, but it was shown that he was incredibly cunning and had a knack for outsmarting his opponents when he was motivated
Anonymous
Anonymous
>>13399842 >not >>13397666 AKA the one who actually brought it in the first place Anonymous
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>>13391471 When he was in France for Epitanime, he was asked about the name of his favorite anime. He responded by singing the opening of Votoms.
Anonymous
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>>13397666 That explains /ssg/.
Just don't accuse them of watching that western filth, they'll have you know that they grew up watching exclusively watching cantonese bootleg Flashman VHS tapes.
Anonymous
>>13400226 why? there's nothing offensive in his post
Anonymous
>>13399739 Or always using "it's humans all along!" as a twist every time.
Anonymous
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>>13400297 To be fair, it wasn't really a major twist in Gaim and it was actually pretty deconstructive in Paradise.
Anonymous
>>13400297 He got the twist from Kamen rider in the first place, having it link his works just shows how much influence he got from Kamen rider.
Anonymous
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>>13400329 Huh, well that explains a lot. Talk about pure dedication.
Anonymous
Anonymous
Can we discuss the interview please?
Anonymous
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>>13399667 >wears hoodies No son of mine, I tell ya. Instant disownership, that.
Anonymous
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>>13401812 The book has some 280 pages with little prints all over the place.
It takes time.
Anonymous
>>13390413 > expecting a character to act the same when they're in a serious situation It's called having heroic resolve to get shit done. Compared Godai's usual easygoing self and when he's punching shit as Kuuga. He doesn't like fighting, yet he still have the balls to pound some Grongi into the dirt.
Anonymous
>>13403977 No, it's not like that. Godai as Kuuga is still Godai. He fights, but he's also himself. He'll stop when someone gets his attention, or he'll talk on the radio and be part of a strategy. He'll give a thumbs-up when it's most needed.
Wataru as Kiva is supposedly Wataru, but his physical movements in every single way are completely different. The energy, the theatricality, how fiercely and powerfully he acts. Even his growls are more animalistic. And when he's using one of the Arms Monsters, it's a weird thing where I guess he's meant to be possessed and he takes on that monster's mannerisms, but he's still that weird not-Wataru in terms of how he moves and reacts to things.
For a kid who explicitly only fights because it's too loud at his house if he doesn't, that absolutely never shows in Kiva's mannerisms. And it's incredibly obvious because Den-O completely mastered the portrayal of a character like early Wataru, as well as how to do possessions. And Decade had amazing suit acting. Actually, non-Kiva suits like the Fangires and the different IXAs were all spot-on in terms of personality, and both Wataru's actor and Seiji Takaiwa do their roles justice, so it's almost certainly just shitty, shitty writing that makes Kiva so unlike Wataru.
Anonymous
>shitty, shitty writing that makes Kiva so unlike Wataru there is something called "director" that tells the actors how they should act on screen
Anonymous
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>>13400281 >calling people retarded is not offensive Anonymous
>>13404019 This, that wasnt a writing decision. Unless them acting differently was relevant to the plot which it wasnt.
Gaim was also kinda shoddy in that regard, with Kouta being more agile when untransformed, but suddenly being more tanky when he became Gaim.
Anonymous
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>>13405718 >Athletic, well-built character whose hobby is highly physical >Gets slower when he turns into an "Armored" Rider Well gee anon, who'da thunk it
Anonymous
>>13390256 Shouichi is a very aloof and naturally goofy person, but the powers of being an Agito can often-times overtake him and drive him into running on pure instinct. He's only ever said one word when he's in fight-mode in the entire series.
I believe at one point they even imply he has no idea what happens once he detects an Unknown.
Anonymous
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>>13405773 That sucks for him.
Anonymous
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>>13405773 >I believe at one point they even imply he has no idea what happens once he detects an Unknown. That's in the first couple of episodes where he's clearly running on unconscious auto-pilot. They make it pretty clear that he's aware of what he's doing after a certain point.
Anonymous
>>13405718 I think that is intentional. If you look at the other Beat Riders, they all lose their agility and get a bit tankier, but they maintain their personalities despite that. Kouta still does a lot of mid-range, Kaito can't use any weapon correctly or kick normally until after the soccer episode, Oren is still military but he loses a lot of his reflexes, etc.
The reverse example is Takatora, who is the exception that proves the rule. He's tougher and more straightforward out of suit because he's a businessman and not a dancer. He gets more finesse and becomes more agile in-suit because of his incredible skill with the Sengoku Driver. But once he becomes Zangetsu Shin, he drops a lot of that due to the bigger armour and the bow. Yoko does the same thing: compare her brief unsuited clash with Kouta when he steals her Lockseed to how she fights as Marika. There's still a similar agility and grace, but the bow and armour slows her down.
Anonymous
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>>13405718 When Wataru is being Kiva he feels like a different person, you would expect him to be fight like Ryotaro or at least Kouta from the first few episodes.
Anonymous
>>13405773 Shouichi is aware in Agito mode. He usually doesn't speak because it gives away his identity. I'm pretty sure there are scenes where he thinks to himself as Agito.
Anonymous
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>>13411723 >>13405773 Also, adding on that he CAN'T be fighting on "pure instinct" because in one of the earliest battles he draws inspiration from seeing a paper plane to defeat a flying Unknown.
Anonymous
>>13404011 > Den-O completely mastered the portrayal of a character like early Wataru, as well as how to do possessions Props where it's deserved, the guy who played the main character in Den-O absolutely nailed the different personalities possession required and could slip between them extremely fluidly. He's probably the best actor Rider has had to this day.
Anonymous
>>13385925 >especially the "no future"-ness of how Golgom would win regardless of which of Black and Shadow Moon won But this literally only happens in the manga.
Anonymous
>>13406995 >Oren is still military It always bugged the hell out of me that the military veteran guy got one of the least military set of weapons that could have been used. Unless you're Jack Churchill or something.
Anonymous
>>13411755 In the manga there's that throw away line about how they'd eventually win eventually if human's hearts didn't change or something like that, but yes, it's basically just a throw away line.
Anonymous
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>>13411793 I think the design and the gladiator motif matched his character very well.
Durian was a fruit that Urobuchi requested to be added, Toei didn't care because they weren't planning on commercializing his toys.
Anonymous
>>13411755 I think this refers to the fact that if the 2 kingstones were to be together the holder will loose himself and become the creating king. So Golgom would've won if Kotaro wear to picked Shadowmoon's kingstone instead of going after the Creation King itself.
Anonymous
>>13411968 Fuck! were not wear Auto correct YURUSAN!
Anonymous
>>13406995 You pretty much lose all grace when going soda mode and just spam arrows like a maniac. Some of those fights were just dreadful to watch.
Anonymous
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>>13411795 >In the manga there's that throw away line I meant the tv show.
Anonymous
>>13411983 Kouta somehow has better movements in Kachidoki than he does in any of the Jinba forms. Like, Kachidoki is so slow that it has weight and feels impressive. The Jinba forms just feel like he's not as agile as usual and he's using a shitty bow.
Anonymous
>>13411750 The only actor I can think of who came even close was Ankh's actor in the OOO/Den-O movie when he got to play Momotaros possessing Ankh possessing Shingo. And even he only really played 3 roles at most over the series. Ryotaro's actor didn't just perfectly play like 8 different roles at various points, he could switch fluidly like you said, No wonder he's been getting non-stop high-profile roles.
Anonymous
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>>13406995 It's kind of weird how the armors give them super strength to some degree but it doesn't help them move the armor too much.
Anonymous
Anonymous
>>13412387 Playing lots of roles doesn't mean anything you don't play them well. Ankh was a shit actor. Ryotaro wasn't all that special either, all the roles he played were pretty to-the-letter stereotypes. But he wasn't bad at portraying those generic characters, I'll give you that.
Anonymous
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>>13412710 Not him but I still think Ryotaro's actor might be one of the most talented leads we had for Heisei rider. Micchy's actor was also very impressive for me.
Anonymous
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>>13412710 I was never a big fan of Den-O, but Ryotaro's actor was definitely able to fluidly move between the various Taros.
Anonymous
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>>13405718 I think that's more of a practical decision, I don't think the Gaim suits really have that much potential for physicality.
Anonymous
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>>13412710 Ankh was fab as hell. Granted, it was really just one real role and being a generic nobody a few times, but he did some great acting and he got across the complex ally/villain shit well.
Anonymous
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>>13385976 >The beginning and middle bits were fantastic, and the last parts (everything after Kino died) turning out how they did was disappointing wow, I don't see too many other people who find the weakest part of Agito to be the final stretch. I get why people would like it going full-on Final Fantasy and all like it did but I really digged the Kamen Rider X-Files thing it had going on for the first 35-40 episodes way more.
>>13386056 wonder what he thought of the ending
Anonymous
>>13412710 >all the roles he played were pretty to-the-letter stereotypes. The point was that they were all very different roles, even if extremely stereotypical ones. Also sung and danced throughout the show too.
Anonymous
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>>13412342 Jinba was bulkier and looked awkward a lot. I didn't mind the overuse of the bow because samurai used bows all the time.
Anonymous
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>>13416690 It isn't even just that he was able to move between so many different personalities with such speed and fluidity, it's that he was able to match the mannerisms and speech patterns of the suit actors playing the different Taros so well. Also, like you said, he had to do a fair bit of singing and dancing too.
Anonymous
Legilis Gundam (formerly known as Kamen Rider OOZ)
Anonymous
Anonymous
OP
>>13428364 I'll make a new thread when I get round to doing the next book (I'm pretty busy right now so probably sometime next week), no need to worry too much about this one
Anonymous
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>>13429243 >>13429243 thank you very much for doing this and make sure to link the new thread in /krg/ when you make it. very interesting read and looking forward to the rest
Anonymous
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>>13429243 Thanks for the translation.
I'm looking forward to what Urobuchi has to say about working in the toku industry.
Anonymous
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>>13404011 Wasn't it mentioned that Wataru was half Fangire in the first place? And the chains on Kiva were supposed to restrict his powers going full Fangire? It fit with Wataru accepting that he's using the powers of the Fangire while still remembering that he's himself.
Legilis Gundam (formerly known as Kamen Rider OOZ)